Prints, Maps and Posters

Robin Shelley Morris - Entwined Female Nudes, late 20th/early 21st century liquid emulsion photographic print, signed in pencil recto, label verso, 45.5cm x 60.5cm, within an ebonized frame.

William Christian Symons - 'Captain' and 'Admiral', a pair of 19th century chromolithographs, each 24cm x 17.5cm, both within gilt frames. Provenance: Vice-Admiral Sir Frederick Donald Gosling (displayed in his yacht 'Leander G.').

William Belch (publisher) - 'Going out as Midshipman', 'Returning as Lieutenant', 'Promoted to Admiral and takes Command of the Fleet', 'Boarding and Capturing a Spanish Ship', four early 19th century engravings with later hand-colouring, each 20cm x 24.5cm, all within verre églomisé mounts and carved gilt frames. Note: scarce, we can find no other examples of this attractive set of maritime prints. Provenance: Vice-Admiral Sir Frederick Donald Gosling (displayed in his yacht 'Leander G.').

David Hardy - 'Stellar Radiance', (Science Fiction Scene), colour print, label verso signed, titled and dated July '73, 50cm x 91cm, within a silvered frame.

Rob Hefferan - 'Elegance II', colour print, signed, titled and editioned 174/395 in pencil, 67cm x 54.5cm, within a partially gilt frame.

Simon Ball - 'Made for Each Other' (Poppies), mixed media print with etching and gilt, signed, titled and editioned 54/350 in pencil, 64cm x 61cm, within a gilt frame.

Robert Taverner - 'Poppies & Downs (No. 3)', artist's proof colour linocut circa 1970, signed, titled and inscribed, 45.5cm x 59.5cm, within a metal mounted hardwood frame.

John Raphael Smith, after Joshua Reynolds - 'The Hon. Mrs Stanhope', mezzotint, published by Smith circa 1783, 48cm x 36.5cm, within a Hogarth style frame, together with two further mezzotints.

Roy Walker - 'Pear and Apples', etching, signed, titled, dated 1976 and editioned 1/40 in pencil, 23cm x 20.5cm, within a pine frame.

Julian Trevelyan - 'Tower & Oxen', etching with aquatint, signed, titled and editioned 8/50, 51.5cm x 38.5cm, within an aluminium and wood frame.

Alexander Calder - Abstract Composition, lithograph, editioned 260/375 in pencil, published circa 1973, sheet size 70cm x 55cm, within a stained wood frame. Note: another version of this print was published in 'Derriere le Miroir' no. 201, page 11 lacking the signature in the plate.

Francis Bacon - 'Bacon Grand Palais' (Poster for the Exhibition), offset lithograph, signed in felt pen by the artist, printed by Gordon House/Wolfensberger Switzerland circa 1972, 71cm x 42.5cm, within a stained wood frame.

Victor Vasarely - Folkokta, screenprint on wove paper, published circa 1974, sheet size 59.5cm x 49cm, within an aluminium frame.

Salvador Dali - Don Quixote, etching on wove paper, label verso, published by the Collectors Guild circa 1966, 25cm x 20cm, within an oak frame.

Kaoru Kawano - 'A Camellia and a Small Bird', colour woodcut, titled, dated 1980 and inscribed to Nakajima Shobisha label verso, 14cm x 16cm, within a stained wood frame.

Ann Symes - 'Mountain Chart', 21st century mixed media collage, signed and titled to label verso, 64cm x 41cm, within an ebonized frame, together with another work by the same hand.

Louis Icart - Thaïs (Lady with Leopards), oval colour etching, published by les Graveurs Modernes circa 1927, signed in pencil, 42cm x 52cm, within a gilt frame. Reference: Holland, Catonia & Isen, Fig. 312.

Louis Icart - Make Up/La Maquillage, oval colour etching with aquatint published by Les Graveurs Modernes circa 1924, signed in pencil, 48cm x 36.5cm, within a gilt frame. Reference: Holland, Catonia & Isen, Fig. 224.

Louis Icart - French Doll/Poupé Moderne, oval colour etching circa 1926, signed in pencil and with artist's blindstamp, 38cm x 49cm, within a gilt frame. Reference: Holland, Catonia & Isen, Fig. 292.