Prints, Maps and Posters

Louis Icart - 'Le Paravent', colour etching with aquatint published by Les Graveurs Modernes circa 1926, signed and titled in pencil, 55cm x 69cm, within a gilt frame. Reference: Holland, Catonia & Isen, Fig.231 with title 'Anticipation'.

Louis Icart - Blue Alcove/L'Alcôve Bleue, oval colour etching with aquatint circa 1929, signed in pencil and with publisher's blindstamp, 30cm x 35cm, within a gilt frame. Reference: Holland, Catonia & Isen, Fig. 377.

Louis Icart - Pink Alcove/L'Alcôve Rose, oval colour etching, signed in pencil and with artist's blindstamp, 29cm x 35cm, within a gilt frame. Reference: Holland, Catonia & Isen, Fig. 376.

Louis Icart - Smoke/Fumée, colour etching circa 1926, signed in pencil and with artist's blindstamp, 40cm x 54cm, within a gilt frame. Reference: Holland, Catonia & Isen, Fig. 275.

After Louis Icart - Coursing II, late 20th century colour print, 49cm x 40.5cm, within a gilt frame, together with four similar colour prints after Icart.

Laurence Stephen Lowry [L.S. Lowry] - The Manchester Reference Library, offset lithograph, signed in pencil and with Fine Art Trade Guild blindstamp, from the edition of 850 published by Henry Donn 1972, 26cm x 36cm, within a silvered composition frame.

Laurence Stephen Lowry [L.S. Lowry] - Mill Scene, offset lithograph, signed in pencil, from the edition of 750 published by The Sunday Observer and printed by the Curwen Press 1972, 33cm x 42cm, within a silvered composition frame.

Laurence Stephen Lowry [L.S. Lowry] - Great Ancoats Street, Manchester, 20th century offset lithograph, signed and editioned 641/850 in pencil and with blindstamp, from the edition published by Harold Riley, 29cm x 38.5cm, within an aluminium frame.

French School - Street Scene with Figures, 20th century lithograph in colours, indistinctly signed in pencil and inscribed 'E.A', 53cm x 74cm, within a silvered composition frame.

Henri Matisse - Le Lagon (The Lagoon), lithograph in colours, probably from the 1983 Museum of Modern Art edition, 33.5cm x 54cm, within a silvered frame.

Drian [Adrien Désiré Etienne] - Lady wearing a Dress and holding a Fan, early 20th century etching with drypoint and aquatint, signed and editioned 32/50 in pencil, 37cm x 45.5m, within a gilt frame.

James Thomas Armour Osborne - 'Puffins', colour linocut, signed, titled, editioned 8/30 and dated 1960 in pencil, together with two similar linocuts by the same hand, 'Wintering Snipe' and 'Bar-tailed Godwits.'

Maud Earl - 'Greyhounds', photogravure, published by the Berlin Photographic Company circa 1902, 27.5cm x 36cm, together with three similar photogravures by the same hand, 'Beagles', 'Clumber Spaniels' and 'Pointers', all within stained wood frames.

Nancy Smith - 'Washington Sussex', lithograph in colours, signed and dated 1919 in pencil, 30cm x 33.5cm, within a stained wood frame.

After George Sharples - Half Length Portraits of the Boxers Jack Randall, George Nichols, Tom Shelton, Josh. Hudson, Dan Donnelly, George Cooper, Tom Oliver and Tom Hickman, eight 19th century stipple engravings, each 20cm x 15cm, together with a related engraving of the John Bull Fighter's trophy, all framed as one within a stained wood frame.

Joseph Webster, after Thomas Webster - 'Ideal Section of a Portion of the Earth's Crust, intended to shew the Order of Deposition of the Stratified Rocks with their relations to the Unstratified Rocks', engraving with hand-colouring, published by William Pickering circa 1837, 21cm x 119.5cm, within a gilt frame.

Louis Pierre Alphonse Bichebois, after Jan Michiel Ruyten - Antwerp, stone lithograph with hand-colouring, published by Lemercier, Paris circa 1845, 37cm x 47.5cm, within a gilt frame.

Thomas Sutherland, after William John Huggins - 'South Sea Whale Fishery', 20th century hand-coloured restrike engraving, 45.5cm x 57.5cm, within a stained wood frame.

Herbert Dicksee - 'Lucky Dog', etching on wove paper, signed in pencil, published by Frost & Reed circa 1908, 49cm x 35cm, together with another similar signed etching by the same hand, 'On the Threshold', both within matching stained wood frames.