Prints, Maps and Posters

Peter Strausfeld - Death of Pierrot, 20th century linocut with hand-colouring, 63.5cm x 48cm, within a painted wood frame, together with a duplicate and a woodcut by the same hand.

Joan Blaeu - 'Ceretica sive Cardiganensis comitatus; Anglis Cardigan Shire' (Map of the County of Cardiganshire), 17th century engraving with later hand-colouring on laid paper, 44.5cm x 56cm, within a Hogarth style frame, together with a similar map by the same hand, 'Fifae Pars Orientalis, The East Part of Fife'.

Joan Blaeu - 'Suthsexia vernacule Sussex' (Map of the County), 17th century engraving with later hand-colouring on laid paper, 43cm x 55cm, within a gilt frame, together with three 18th century Owen & Bowen road maps.

Joan Blaeu - 'Comitatus Dorcestria sive Dorsettia; volgo Anglice Dorset Shire' (Map of the County), 17th century engraving with later hand-colouring on laid paper, 39cm x 51cm, within a stained wood frame, together with a similar map by the same hand, 'Cornubia sive Cornwallia'.

Jan Huygen Van Linschoten - Coasts of Mozambique from the East Indies, 16th century copper engraving on laid paper, 26cm x 32.5cm, within a gilt frame, together with two 18th century engraved maps and a George III broadside proclamation dated 1782.

Robert Morden - 'Nottinghamshire' (Map of the County), 18th century copper engraving with later hand-colouring in outline on laid paper, 33cm x 39cm, within a gilt frame, together with another similar map by the same hand, 'Lincolnshire'.

John Speed - 'Dorsetshyre with the shyre towne Dorchester described' (Map of the County of Dorset), mid-17th century engraving with later hand-colouring on laid paper, 37.5cm x 50cm, within a stained wood frame, together with an 18th century engraved map of Dorset by Emmanuel Bowen.

John Speed - 'Worcestershire Described' (Map of the County), 17th century engraving with later hand-colouring, published by Sudbury and Humble, 39cm x 52.5cm, within an ebonized frame, together with another 17th century engraved map, 'The Countie of Radnor Described'.

G. Durand - Brighton Seafront with the Chain Pier and Marine Parade, 19th century wood engraving with later hand-colouring, 18cm x 59cm, within a gilt frame.

Jean Badovici - Salle de Bains by Atelier Martine and Salle a Manger by Pierre Chareau (Plates 24 and 40 of Intérieurs Français), two lithographs with pochoir hand colouring, published by Albert Morancé 1924, each 17.5cm x 24cm, both within ebonized frames.

Nicolas François Regnault, after Jean Honoré Fragonard - 'La Fontaine d'Amour', stipple engraving with later hand-colouring on laid paper, published circa 1785, 52cm x 42cm, within a gilt composition frame.

Juan Miguel Luis Battle Planas - Argentine Tango, 20th century woodcut, signed in pencil, 39.5cm x 30cm, within a stained wood frame, together with a related book.

Emery Kelen - Women en déshabillé, five lithographs with pochoir, all signed in ink, each 32cm x 24.5cm, all within painted wood frames.

Graham Clarke - 'Old Manor', 20th century colour etching with aquatint, signed, titled and inscribed 'artist's proof' in pencil, 37.5cm x 56cm, within a gilt frame.

Graham Clarke - 'Vita's White Garden', 20th century colour etching with aquatint, signed, titled and editioned 87/350 in pencil, 30.5cm x 37cm, within a gilt frame, together with two other signed etchings by the same hand.

John Brunsdon - 'Towards Abbotsbury', 20th century etching on wove paper, signed, titled and editioned 79/150 in pencil, 48cm x 62cm, within a chrome metal frame.

Marc Chagall - 'Nice Soleil Fleurs', lithograph in colours on wove paper, printed by Mourlot 1962, 97cm x 60cm, within a gilt composition frame with applied plaque.

Pablo Picasso - 'Côte d'Azur', lithograph in colours on wove paper, printed by Mourlot 1962, 99cm x 65cm, within a gilt composition frame with applied plaque.

John Egerton Piper - Buckden in a Storm, screenprint in colours on wove paper, signed and editioned 96/100 in pencil and with blindstamp, published 1977, sheet size 57cm x 84cm, within an aluminium frame.