Prints, Maps and Posters

Richard Earlom, after Johan Joseph Zoffany - 'Their most Sacred Majesties George III and Queen Charlotte', 18th century mezzotint with later hand-colouring, 52cm x 60cm, within a gilt composition frame. Provenance: the property of Michael Godfrey.

Richard Earlom, after Michael Vincent Brandoin - 'The inside of the Pantheon in Oxford Road', 18th century mezzotint, 44.5cm x 54cm, within a French Empire style ebonized and gilt frame. Provenance: the property of Michael Godfrey.

Andrea Zucchi, after Silvestro Manaigo - 'Cibele coronata di Torri, opera dipinta a fresco sopra Palazzo Donato…' 18th century etching on laid paper, 45cm x 33cm, within an ebonized frame. Provenance: the property of Michael Godfrey.

Charles Corbutt [Richard Purcell], after William Hoare - 'The Right Hon. William Pitt, Earl of Chatham.', 18th century mezzotint with later hand-colouring, 35.5cm x 26cm, within a stained wood frame, together with another mezzotint by John Dixon, The Right Hon. William Beckford Esq, Lord Mayor & Member of Parliament for the City of London. Provenance: the property of Michael Godfrey.

John Bowles (publisher) - 'Charlotte, Queen of Great Britain &c, &c', late 18th century mezzotint, 36.5cm x 26cm, within an ebonized and gilt frame, together with an etching by Richard Dighton, 'The Father of the Corporation of Oxford Omnibus Carus'. Provenance: the property of Michael Godfrey.

William Wynne Ryland, after Angelica Kauffman - 'Queen Eleanor sucking the Poison from King Edward's Arm', late 18th century stipple engraving in sepia ink, 29cm x 38.5cm, together with three other similar stipple engravings by the same hands, all within matching gilt composition frames. Provenance: the property of Michael Godfrey.

Smith, after Givanni Battista Falda - The Quirnal or Palace of the Pope on Mount Cavallo at Rome, 18th century copper engraving with hand-colouring, 24cm x 40cm, together with three similar 18th century copper engravings, 'Magni Armamentary Venziarum', Santa Maria Della Salute, Venice, and Grand Canal, Venice. Provenance: the property of Michael Godfrey.

Paul Fourdrinier - Blenheim House, 18th century copper engraving with hand-colouring, 20cm x 38.5cm, together with two other similar engravings, all within Hogarth style frames. Provenance: the property of Michael Godfrey.

Joseph Edmondson - 'The Right Honourable Robert Edward Petre, Baron Petre' (Armorial), late 18th century engraving with hand-colouring, 42.5cm x 24.5cm, together with three further similar armorial engravings, all within matching gilt frames. Provenance: the property of Michael Godfrey.

W. Dickins, after Henry Bunbury - 'The Dance', tondo late 18th/early 19th century stipple engraving, diameter 30.5cm, within a gilt composition frame, together with another stipple engraving after Henry Bunbury, 'Wynnstay Theatre', a print after Angelica Kauffman and a 19th century wood engraving, 'The Turkish Bath, Jermyn Street'. Provenance: the property of Michael Godfrey.

Francesco Bartolozzi, after Giovanni Battista Cipriani - 'Acis and Galatea', 18th century engraving with hand-colouring, 20cm x 28.5cm, within a gilt frame, together with another stipple engraving by the same hand, 'Her Royal Highness Caroline Princess of Wales and the Princess Charlotte', and a stipple engraving after Richard Cosway, 'Mrs Fitzherbert'. Provenance: the property of Michael Godfrey.

J. Cordwell - 'The West or Garden Front of the Pavilion at Brighton, Marine Palace of his Majesty George the IVth', mezzotint, published 1824, 27.5cm x 34.5cm, within an ebonized and gilt raked knull frame. Provenance: the property of Michael Godfrey.

Richard Dighton Junior - Meeting at Tattersalls, 19th century lithograph with hand-colouring, 19cm x 25.5cm, within a raked knull gilt composition frame. Provenance: the property of Michael Godfrey.

Thomas Rowlandson - 'The Sculptor' (Preparations for the Academy, Old Joseph Nollekens and his Venus), etching with hand-colouring circa 1800, 29.5cm x 23.5cm, within a Hogarth style frame. Provenance: the property of Michael Godfrey.

Abraham Blooteling, after Peter Paul Rubens - Profile Portrait of Peter Paul Rubens' Son, 17th century etching with engraving on laid paper, 26.5cm x 19.5cm, within a Hogarth style frame, together with another similar etching by the same hand, 'Earl of Burford'. Provenance: the property of Michael Godfrey.

William Pether, after Thomas Frye - His Most Sacred Majesty George III King of Great Britain, and Charlotte, Queen of Great Britain, a pair of tondo 18th century mezzotints, diameter 18cm, both within gilt frames. Provenance: the property of Michael Godfrey.

William Daniell - The South-east View of Windsor Castle from the Deer Park, 19th century lithograph with hand-colouring, 28cm x 49.5cm, within a gilt frame, together with another similar lithograph by the same hand, Scene on the Virginia Water, and Laurent Guyot, after Louis Bélanger, 'A View of the Adelphi & Somerset House', an etching with aquatint and hand-colouring, published circa 1791, within a gilt frame, and a late 18th/early 19th century engraving with hand-colouring, within a Hogarth style frame. Provenance: the property of Michael Godfrey.

Thomas Shotter Boys - 'Hyde Park' and 'Piccadilly', two 19th century lithographs with hand-colouring, 31.5cm x 44cm and 33.5cm x 44.5cm respectively, both within gilt frames, together with two prints after George Morland. Provenance: the property of Michael Godfrey.

John Rogers, after A.M. Huffam - King George IV wearing Scottish Dress, oval miniature 19th century engraving with later hand-colouring, 12.5cm x 9.5cm, within an ebonized frame with gilt mounts, together with a 19th century stipple engraving by Thomas Fryer Ranson, after Charles James Scott, ''His Most Gracious Majesty, George the Fourth', within an ebonized and gilt frame, and a 19th century etching with aquatint by Joseph Stadler, after Rosenberg, 'His Most Excellent Majesty, George the Third', within an ebonized and gilt frame. Provenance: the property of Michael Godfrey.