Prints, Maps and Posters

After Godfrey Kneller - King James II, 18th century reverse coloured mezzotint on glass, 29.5cm x 24.5cm, within a stained wood frame, together with another 18th century reverse coloured mezzotint on glass, Portrait of a Lady.

James Edwards - 'An Ichnographical Plan of Steyning, in Sussex' (Street Map of the Sussex Town), engraving with later hand-colouring, published by James Edwards 1793, 22cm x 28cm, within a Hogarth style frame.

George Hunt, after John Jackson - 'Tom Cribb, Champion of England', aquatint with hand-colouring, published by J. Moore 1842, 44cm x 32cm, within a maple frame.

Richard Bawden - 'Fading Roses', 20th century etching with aquatint, signed, titled and editioned 119/150, within an ebonized frame.

David Gentleman - Saxtead Windmill and Horstead Mill, a pair of 20th century lithographs in colours on wove paper, both signed and dated '66 in pencil, each 32.5cm x 45cm, both within metal frames.

Charles William Sherborn - 'Old Battersea Bridge', etching, titled verso, published 1874, 7cm x 26.5cm, within a gilt frame.

Pablo Picasso - 'Portrait de Famille I. Homme Aux Bras Croisés', lithograph on wove paper, published circa 1962, 54cm x 74cm, within a gilt frame.

Susan Mitchinson - 'Man at Rest', 20th century woodcut, signed, titled and editioned 1/20 in pencil, 30.5cm x 32cm, within a stained wood frame.

Shosuke Osawa - Abstract Composition, 20th century screenprint, signed and editioned 46/80 in pencil, 86.5cm x 69cm, within a painted frame.

Storm Thorgerson - 'Absolution' (Muse Album Cover), screenprint in colours, signed, titled, and editioned 69/100 in pencil, circa 2003, sheet size 65.5cm x 83cm, within a painted wood frame.

Russian School - Stylized Fish with Symbols, 20th century mixed method etching with aquatint, indistinctly signed and titled in Cyrillic and with blindstamp, 28cm x 30.5cm, within a gilt frame.

Maurice Brianchon - Mounted Cavalry, colour lithograph circa 1954, signed and editioned 43/50 in pencil, sheet size 62cm x 41cm, together with another lithograph by the same hand, Fruits d'Automne, signed and editioned 67/75 in pencil, 50cm x 55cm.

Michael Rothenstein - 'Rush', woodcut and screenprint circa 1975, signed and editioned 18/75 in pencil, sheet size 48cm x 65.5cm, together with two screenprints by Anthony Benjamin, 'Flag', signed, dated '78 and editioned 47/100 in pencil, sheet size 63.5cm x 89.5cm, and 'Boxxxxxxx', signed, titled, dated '78 and editioned 51/100 in pencil, 90cm x 63cm.

William Brassey Hole, after Lucy Kemp-Welch - Timber Hauling, etching, signed by both artists in pencil, published by The Fine Art Society 1905, 49cm x 86cm, within an ebonized wood frame.

William Brassey Hole, after Joseph Farquharson - O'er Snow-clad Pastures, etching, signed by both artists in pencil, published by The Fine Art Society 1903, 59cm x 79cm, within an ebonized wood frame, together with a mezzotint by Herbert Sedcole, after Joseph Farquharson, 'The Crisp Air'.

J.P. Seaborn - 'May Moore-Duprez' (Advertising Poster for the Music Hall Production), early 20th century lithograph in colours in two sections, published circa 1910 by David Allen & Sons, overall 223cm x 101.5cm, together with another example of the same poster and one further similar poster.

David Allen & Sons (publisher) - 'Harry Tate in Flying' (Advertising Poster for the Music Hall Production), early 20th century lithograph in colours, sheet size 76cm x 51cm, together with approximately 100 further examples of the same poster.

Dorothy Bart - Pig, 20th century screenprint, signed, dated '78 and editioned 4/12 in pencil, 55.5cm x 75.5cm, within a silvered wood frame, together with two other screenprints by the same hand.

David Shrigley - 'People Expect So Much of Me' and 'Truth', two offset lithographs, published by Shrig Shop, circa 2021 and 2020, each 80cm x 60cm.