Prints, Maps and Posters

Eric James Mellon - 'Persephone & Ascalaphus', 20th century monochrome print, signed and titled in pencil, 31cm x 42cm, within a stained wood frame.

Stan Rosenthal - Boats, Hastings, 21st century colour print, 10.5cm x 10.5cm, within a stained wood frame, together with a related signed monograph, an oil on card by Marina Kim and an etching by the same hand.

David Allen & Sons (publisher) - 'Harry Tate Motoring' (Advertising Poster for the Music Hall Production), early 20th century lithograph in colours, sheet size 76cm x 51cm, together with eight further examples of the same poster.

William Heath Robinson - 'Harry Tate Fishing', colour lithograph in three sections, published by John Waddington Ltd, overall 225.5cm x 102cm, together with three further examples of the same poster.

Bernard Buffet - 'Canal St. Martin', lithograph on wove paper, published by Collector's Guild, NYC circa 1968, title to Templeton & Rawlings Ltd label verso, 45cm x 58cm, within a painted wood frame.

Benjamin Cole - 'The South East Prospect of Westminster Bridge', 18th century engraving on laid paper, 39.5cm x 57.5cm, within a painted wood frame.

Bridget Riley - 'Paintings and Prints 1964 - 1995' (Poster for the Exhibition at Glasgow Print Studio), screenprint on wove paper, signed in pencil, 101cm x 67.5cm, within a stained wood frame.

Peter Blake - 'Marcel Duchamp's World Tour, DC Thomson Reunion at the Tower Ballroom Blackpool', screenprint in colours, signed and editioned 30/100 in pencil recto, Art Republic label verso, published 2015, sheet size 72.5cm x 86.5cm, within a painted wood frame.

Peter Blake - American Trilogy (Cream and Gold Diamond Dust), screenprint in colours with gold-leaf, embossing and diamond-dust, signed and editioned 11/150 in pencil recto, Art Republic label verso, published 2012, sheet size 98.5cm x 74cm, within a painted wood frame.

Peter Blake - 'Who', screenprint in colours, signed and editioned 61/150 in pencil, published 2019, sheet size 73.5cm x 71.5cm, within a painted wood frame. Note: this artwork featured as the cover illustration for The Who's eponymous 2019 album.

Bob Dylan - 'Sidewalk Café', giclée colour print, signed and editioned 250/295 in pencil recto, titled Washington Green certificate of authenticity verso, printed by GTZ Fine Art Editions, New York and published by Washington Green 2018, 61cm x 46cm, within a silvered frame.

Shepard Fairey - 'Tom Petty an American Treasure', 21st century screenprint in colours, signed, dated '18, and editioned 124/275 in pencil, 60cm x 44cm, within an ebonized frame.

Anthony Green - 'The Clock Winders', screenprint with hand-colouring on wove paper, signed, titled and editioned 2/35 in pencil recto, published 2019, Chris Beetles gallery label verso, sheet size 90.5cm x 75.5cm, within a stained wood frame. Exhibited: Royal Academy, Summer Exhibition, 2019, No. 1255; 'Anthony Green: Printed Pictures', Chris Beetles Gallery, February 2020.

Anthony Green - 'Le Peintre a Contre Jour aux Immortelles', 21st century etching with hand-colouring on wove paper, signed, dated '16 and editioned 10/50 in pencil, 24cm x 20.5cm, within a painted wood frame.

Anthony Green - 'Patisserie', digital print on wove paper, signed, dated 2004 and editioned 29/50 in pencil recto, titled Chris Beetles gallery label verso, sheet size 69.5cm x 51.5cm, within a stained wood frame.

Anthony Green - Resurrection: The Creator, 21st century screenprint in colours, signed, dated '00 and editioned 54/70 in pencil, sheet size 74cm x 109.5cm, within an ebonized frame.