Prints, Maps and Posters

John Speed - 'Midle-Sex described With The Most Famous Cities of London and Westminster' (Map of the County of Middlesex), 17th century engraving with later hand-colouring on laid paper, 39cm x 51cm, within a stained wood frame.

Joseph Wilson Lowry – ‘America in Eight Sheets, shewing the latest discoveries’, engraving on eight separate sheets, published by Baldwin & Cradock 1829, each 45cm x 27.5cm and 22cm x 27.5cm.

Guillaume Delisle – ‘Carte de Moscovie Dressee par G. de L’Isle’ (Map of Russia), 18th century engraving with later hand-colouring in outline on laid paper, sheet size 103cm x 63cm.

Isaac Basire – ‘Plan of Turin as Besieged in 1706’, 18th century engraving on laid paper, sheet size 38cm x 52cm.

Johann Homann - ‘Novibima & Exactibima Totivs Regni Neapolis’ (Map of Italy), 18th century engraving with later hand-colouring, sheet size 62cm x 54cm, together with a small quantity of other maps, engravings and lithographs of Italian interest.

Isaac Basire – ‘The City of Namur with the Castle and other fortifications’, 18th century engraving on laid paper, sheet size 41cm x 50cm, together with a quantity of other maps, the majority 19th century of European and Russian interest.

George Philip & Sons Ltd (publisher) – ‘Tourist Map of India’ (Indian State Railways), offset lithograph, overall 101cm x 75cm, folding within paper covers with printed titles.

Jodicus Hondius, John Speede and John Norden - 'Sussex, described and divided' (Map of the County), early 17th century engraving with later hand-colouring, 40cm x 52cm, within a Hogarth style frame.

Emanuel Bowen - 'An Accurate Map of the County of Sussex', 18th century engraving with later hand-colouring, 53cm x 71cm, within a Hogarth style frame.

Georg Braun and Franz Hogenberg - 'Brightstowe' (Map of Bristol), engraving with later hand-colouring, published circa 1581, 36cm x 45cm, within a Hogarth style frame.

Richard Blome – ‘A Mapp of Bedfordshire with its Hundreds’, 17th century engraving with later hand-colouring in outline on laid paper, 33.5cm x 27cm, within a Hogarth style frame, together with another map of Bedfordshire by Robert Morden.

John Speed – ‘Bedford Shire and the Situation of Bedford described with the armes of thos Honorable Familyes that have borne ye titles of Dukes and Earls thereof’ (Map of the County of Bedfordshire), 17th century engraving with later hand-colouring on laid paper, 41.5cm x 55cm, within a Hogarth style frame.

Abraham Maas – ‘Nova Maris Caspii et Regionis Usbeck cum Provincijs adjacentibus vera Delineati’ (Map of parts of Uzbekistan, Kazakistan, Afghanistan, Turkmenistan, Russia, Azerbaijan and Iran), 18th century engraving with later hand-colouing on laid paper, sheet size 53.5cm x 63cm, together with another 18th century engraving by Johann Baptist Homann, ‘Verschiedene Prospecte der Vornemsten stadten in Persien’.

George Philip & Sons (publisher) – ‘Wilhelmsen Lines’ (Maritime Shipping Map), offset lithograph, published 1952, 88cm x 118.5cm.

Thomas Taylor (publisher) – ‘A Table of the Hundreds in the County of Cornwal’ (Map of the County of Cornwall), early 18th century engraving with later hand-colouring on laid paper, 20cm x 26.5cm, within an ebonized frame, together with two 19th century engraved maps, ‘Sussex’ and ‘Nottinghamshire’.

Arthur Soly, after Francis Barlow – ‘Maning Hawks’, etching with engraving and later hand-colouring on laid paper, published by Richard Blome for ‘Gentleman’s Recreation’ circa 1686, 35cm x 22cm, together with four similar engravings from the same series, all within matching ebonized and gilt frames.

Louis Gomier – ‘Tabvla Secvnda Qvae Obelisci Caracallae Sev Circi Castrensis Ac/Fontisagonalis Prospectvm A Parte Orientali Ostendit’ (A view of the east side of the Fountain of the Four Rivers, Piazza Navona, Rome, Italy), early 18th century etching with engraving on laid paper, sheet size 75.5cm x 52cm, together with another similar engraving by the same hand.

George Hunt, after Joseph Moore - ‘The Conflagration of Dalla, on the Rangoon River’ (Burma/Myanmar), etching with aquatint and near period hand-colouring from Moore's ‘Eighteen Views taken at and near Rangoon’, published by Thomas Clay circa 1826, 32cm x 44cm, within a stained wood frame.

William Henry Pyne – ‘Mowers’, etching with aquatint, published by Pyne and Nattes 1802, sheet size 28cm x 41cm, together with 111 further etchings from Pyne's ‘Microcosm, or A Picturesque Delineation of the Arts, Agriculture, Manufactures, etc, of Great Britain’, and a quantity of 18th and 19th century engravings and lithographs by different hands.