Prints, Maps and Posters

Alan Talm – ‘Napoleon’ (Poster for the Production at Radio City Music Hall), offset lithograph, published by Zoetrope Studios 1981, 95cm x 62cm, within a metal frame.

L.F. de Vos & Co. S.A. Anvers (printer) – ‘La Nuit du Chasseur’ (Belgian Cinemax Movie Poster for The Night of the Hunter), offset lithograph, printed circa 1956, 53cm x 35cm, within a metal frame.

Saul Bass – ‘The Man with the Golden Arm’ (Poster for the Movie), lithograph in colours on wove paper backed onto linen, circa 1955, sheet size 104cm x 68cm.

Policrom (printer) – ‘Federico Fellini 8 1/2’ (Poster for the Movie), offset lithograph backed onto card, printed circa 1963, sheet size 71cm x 33cm.

Asher Ein Dor – Science Fiction Scene (Psychedelic Blacklight Poster), 20th century screenprint, sheet size 67cm x 91.5cm, together with another psychedelic poster by Ib K. Olsen, ‘Blues’, and four other posters of classic rock music interest.

After Ben Nason - ‘Caribbean, Pan Am’, 21st century colour reproduction print, sheet size 138cm x 92cm, within a faux palm wood frame.

Michael Rothenstein - 'Rush', woodcut and screenprint circa 1975, signed and editioned 18/75 in pencil, sheet size 48cm x 65.5cm, together with two screenprints by Anthony Benjamin, 'Flag', signed, dated '78 and editioned 47/100 in pencil, sheet size 63.5cm x 89.5cm, and 'Boxxxxxxx', signed, titled, dated '78 and editioned 51/100 in pencil, 90cm x 63cm, and two further lithographs by Maurice Brianchon, Mounted Cavalry and Fruits d'Automne, both signed and editioned in pencil.

Elizabeth Violet Blackadder – Cat and Lilies, 20th century colour print, signed and editioned 13/350 in pencil, 73cm x 52cm, within a stained wood frame.

Elizabeth Violet Blackadder – Cat and Flowers, 20th century etching with aquatint, signed and editioned 18/50 in pencil, 24cm x 27.5cm, within a silvered frame.

Isaac [Itzchak] Tarkay – Women in a Café, screenprint on wove paper, signed and editioned 117/350 in pencil, 97cm x 71cm, within a gilt composition frame.

Isaac [Itzchak] Tarkay – Brilliance, screenprint on wove paper, signed and editioned 271/350 in pencil, circa 2007, 57cm x 74.5cm, within a gilt composition frame.

Philip Pearlstein – Nude on Chaise, lithograph in colours, signed, titled, dated 1978 and editioned 17/50 in pencil, 43cm x 55cm, within a painted wood frame.

His Majesty King Charles III – ‘The Terrace, Highgrove House’, colour lithograph, signed, dated 2007 and editioned 31/100 in pencil, printed by Curwen Chilford Prints Ltd, 36cm x 36cm, within a gilt frame and presentation box.

Peter Phillips – Leolocation, screenprint on wove paper, signed, dated ’70 and editioned 1731/3000 in pencil, sheet size 90cm x 65cm.

Eduardo Paolozzi – Bash, screenprint on wove paper, signed, dated 1971, and editioned 164/2000 in pencil, 83.5cm x 58.5cm, within an aluminium frame.

John Piper – Holdenby, 20th century lithograph in colours, signed and editioned 24/75 in pencil, 57cm x 77cm, within an aluminium frame.

Feliks Topolski – ‘Eton v Harrow Cricket at Lords, 1983’, 20th century lithograph in colours, signed and editioned 71/300 in pencil, 50.5cm x 87cm, within an aluminium frame.

Louise Beckerman – ‘Marsh Frog II’, 20th century etching, signed and titled in pencil, 20.5cm x 21.5cm, within an aluminium frame, together with a similar etching by the same hand.

Gary Hodges – ‘Under the Ice’, 20th century monochrome print, signed and editioned 185/850 in pencil, 62.5cm x 36.5cm, within a stained wood frame.