Prints, Maps and Posters

Maurice Potin, after Edgar Degas - Fête de la patronne (The patron's birthday party), aquatint with roulette over photogravure, published by Ambroise Vollard circa 1934 for ‘La maison Tellier’ by Guy de Maupassant, 24.5cm x 28cm, within a silvered frame, together with another similar work by the same hands from the same series, Dans le salon d'une maison close (Brothel scene).

David Humphreys – ‘Welsh Landscape’, 20th century screenprint, signed, titled, editioned 116/250 and dated ’86 in pencil, 37.5cm x 55.5cm, within a silvered frame.

Fanch [Francois Ledan] – Beach with Sunbathers and Umbrellas, 20th century lithograph in colours on wove paper, signed and editioned 149/200 in pencil and with blindstamp, 79cm x 58.5cm, within a metal and wood frame, together with another similar signed lithograph by the same hand.

Fanch [Francois Ledan] – Hot Air Balloons over the Alps, 20th century lithograph in colours on wove paper, signed and editioned 44/200 in pencil, 72cm x 56.5cm, within a silvered frame.

Aida Marini – ‘Head Gear’, 20th century woodcut, signed and titled in pencil, 47.5cm x 21cm, within a silvered frame.

Jay Fortune – ‘The Dogfather’, 21st century embellished colour print on canvas laid onto board, signed and editioned 1/25 in ink recto, titled certificate of authenticity verso, 73.5cm x 59cm, within an ebonized wood frame.

Ghost – Put on a Happy Face, 21st century mixed media limited edition colour print with spray can, signed and editioned 1/25 recto, certificate of authenticity verso, 97.5cm x 83.5cm, within an ebonized wood frame.

Ghost – Till Death Do Us Part, King, 21st century mixed media limited edition colour print with collage, signed, 90cm x 59.5cm, within a swept ebonized and painted wood frame.

Isabel Florrie Saul – ‘Queen Elizabeth I’, etching with hand-colouring, signed in pencil, published circa 1955, early state before the date added, 36cm x 31cm, within a Hogarth style frame.

Edwin La Dell – ‘Snow Evening in Kent’, 20th century lithograph in colours on wove paper, signed, titled and editioned 1/30, sheet size 50.5cm x 77.5cm.

John Brunsdon – ‘View from Kingston Hill’ and ‘Beachy Head’, a pair of 20th century etchings with aquatint, both signed, titled and editioned 39/100 and 38/100 respectively in pencil, each 31cm x 32cm, both within metal frames.

Albert Huie – ‘The Baptism’, 20th century woodcut, signed and titled in pencil, 38cm x 27cm, within an ebonized frame. Note: Albert Huie, known as the ‘Father of Jamaican Painting,’ was born on December 31, 1920, in Falmouth, Jamaica. He moved to Kingston in 1936, studying art while working as a poster artist. A scholarship took him to the Camberwell School of Arts and Crafts in London in 1938. Huie's vibrant paintings depicted Jamaican rural life, landscapes, and portraits, capturing the essence of his homeland. Notable works include ‘Crop Time’ and ‘Counting Lesson.’ He exhibited widely and received the Order of Distinction from the Jamaican government in 1983. Albert Huie passed away on January 31, 2010, leaving a lasting impact on Jamaican and Caribbean art.

Laurence Stephen Lowry [L.S. Lowry] - Landscape with Farm Buildings, offset lithograph, published by Venture Prints circa 1974, signed in pencil and with Fine Art Trade Guild blindstamp, 43cm x 52cm, within a gilt frame.

Laurence Stephen Lowry [L.S. Lowry] – ‘Three Men and a Cat’, offset lithograph signed in ink and with Fine Art Trade Guild blindstamp, from an edition of 850 published by Adam Collection Ltd 1971, 27.5cm x 18cm, within a stained wood and gilt frame.

Laurence Stephen Lowry [L.S. Lowry] – ‘The Family’, offset lithograph signed in ink and with Fine Art Trade Guild blindstamp, from an edition of 850 published by Adam Collection Ltd, 29.5cm x 22.5cm, within a stained wood and gilt frame.

Laurence Stephen Lowry [L.S. Lowry] – ‘Berwick-upon-Tweed’, offset lithograph signed in pencil and with Fine Art Trade Guild blindstamp, from an edition of 650 published by The Medici Society 1973, 55.5cm x 43.5cm, within a stained wood frame.

Terry Frost – Variations (Black Segments), 20th century screenprint in colours on wove paper, signed, editioned 19/75, and dated ’74 in pencil, sheet size 69.5cm x 88.5cm, within a silvered frame.

Terry Frost - Cool Tredavoe, 20th century woodcut in colours on wove paper, signed, editioned 25/30 and dated ’99 in pencil, sheet size 77cm x 46cm, within a silvered frame.

Pablo Picasso – La Pique en Rouge et Jaune (The Bullfight in Red and Yellow), 20th century linocut, 29cm x 34.5cm, within a silvered frame.