Prints, Maps and Posters

Mohawk Letterpress (publisher) - Roman Alphabet by David Lance Goines, poster, 98cm x 63cm, within a black frame.

Brendan Neiland (British b.1941) - 'Peckwater Christchurch', colour screenprint, signed lower right, titled lower centre, numbered 190/195 lower left, 55.5cm x 45.5cm, within an oak frame.

David Hockney (British b. 1937) - 'David Hockney: Travels with Pen, Pencil and Ink. The Fine Arts Museums of San Francisco. November 9, 1979 to January 1, 1980. M.H. de Young Memorial Museum', depicting the artist’s portrait of Sir John Gielgud, seated, and subtitled 'Sir John Gielgud, ca. 1970. Pen and ink, (actual size). The Fine Arts Museums of San Francisco, Achenbach Foundation for Graphic Arts, purchase, 1979' and inscribed lower right 'For Joe with love from David H', poster signed in margin lower right, 52.5cm x 41.5cm, within a wood frame. Provenance: Christie's South Kensington, sale no. 8332, 25/03/1999, lot 5.

David Hockney (British b. 1937) - 'Contemporary British Drawings' at the Tel Aviv Museum, Israel, Summer 1980, depicting the artist’s portrait of Celia Birtwell, the wife of Ossie Clark (both well-known fashion designers at the time), poster, 68cm x 48.5cm, within a wood frame. Provenance: Christie's South Kensington, sale no. 8332, 25/03/1999, lot 5.

David Hockney (British b. 1937) - Still life, limited edition, original, offset lithograph headed 'Aug 16 ’90 11:03 DH In The Hills P.7/25', text at lower right 'David Hockney. Fax Caudros', 91cm x 62cm, within a wood frame. Provenance: Christie's South Kensington Ltd (CSK), sale no. 8527, 07/10/1999, lot 84.

Peter Frie (Swedish b.1947) - Grass in a blue vase, colour lithograph, signed lower right, numbered 15/150 lower left, 52cm x 80cm, within an aluminium frame.

Kristian Krokfors (Finnish b.1952) - 'Split view', colour screenprint, signed and dated ’79 lower right, titled lower left, numbered 128/150 lower centre, 57cm x 75.5cm, within an aluminium frame.

Joe Tilson (British 1928-2023) - 'Chaire Daphne' (Metamorphosis of Daphne), lift-ground colour etching with aquatint, signed lower right, numbered lower left, 124cm x 107cm, within a wood frame. Provenance: Waddington Graphics, London 1991.

Virgin Atlantic (publisher) - 'New York'; 'Johannesburg'; 'Washington'; 'Florida', a set of four photographic posters, circa 1980s, each 59cm x 42cm, unframed (4).

Graham Clarke (British b.1941) - ‘Rifleman’; ‘Royal Oak’, ‘Mogs Court’; ‘Hovis’ (ex-proof 7/15), four colour etchings with aquatint, all signed lower right, inscribed and variously numbered lower left, each p. 13.5cm x 17cm, each within a gold coloured metal frame (4).

Graham Clarke (British b.1941) - ‘Hampton Tennis Court’, colour etching with aquatint from ‘History of England’, signed lower right, inscribed and numbered 103/200 Ed A lower left, p. 43cm x 34.5cm, within a gold coloured metal frame.

Graham Clarke (British b.1941) - ‘Brewup’, colour etching with aquatint, signed lower right, inscribed and numbered 132/300 lower left, p. 26.5cm x 34cm, within a gold coloured metal frame.

Robert Lenkiewicz (British 1941-2002) - 'Anna with Paper Lanterns', colour print, signed, titled and editioned 334/500 in pencil, 59cm x 43cm, within a painted frame.

James Vuillamy (20th century) - Horse's head, etching with aquatint, signed lower right, numbered 5/50 lower left, p. 27.5cm x 24cm, together with Paula Cox - ‘Dancers’, linocut print, signed dated ’04 and numbered 8/75, and P. Sobr - Girl in hat and bikini, gouache, all framed (3).

After Henry Alken – ‘Songs’; a set of four aquatints, published by Thomas McLean, each 21cm x 25cm, within Hogarth style frames, together with ‘A Steeple Chase’, a set of four aquatints with hand colouring, published by S. & J. Fuller 1827, 23.5cm x 30cm, within wood frames (8).

After Robert Blemmell Schnebbelie - 'The Olympic Theatre near Drury Lane'; 'Interior of the New Theatre Royal, Hay Market'; 'Royal Cobourg Theatre, Surry': interior and exterior; 'The Kings Theatre, Haymarket'; After G. Jones - 'The Sans Pareil Theatre'; 'The Little Theatre, Haymarket'; After C.J.M. Whichet - 'View of Covent Garden Theatre from Bow Street'; After Shepherd - 'The Fortune Playhouse, Golden Lane'; After W. Capon - 'The Theatre Royal, Drury Lane', a group of ten engravings with hand colouring, seven approx 30cm x 25cm, three approx 22cm x 27cm, all within Hogarth style frames (10).

After William Miller, Thomas Stothard, Francis Wheatley, James Northcote, John Boydell, Reverend William Peters - 'Shakspeare. Romeo and Juliet'; 'Shakspeare. King Henry the Eighth'; 'Shakspeare. Winter’s Tale'; 'Shakspeare. King Richard the Second'; 'Shakspeare. First part of King Henry 6th'; 'Shakspeare. Merry Wives of Windsor'; 'Shakspeare. Much Ado about nothing', a group of seven engravings by G.S. & I.G. Facius, Isaac Taylor, James Fittler, Robert Thew, J. Ogborne and Peter Simon, five 50cm x 63cm, two 63cm x 46cm, all within gilt frames (7).

A collection of loose prints and engravings, including two etchings after Rubens: ‘Variae Leonum Icones' by Nicolaus Visscher and another by A. Bloteling; engravings of Bishop Latimer and Bishop Hooperby Thomas Trotter; ‘Paysanne de la Bourgogne’ after H.W. Bunbury; ‘Graf Souvorow - Rimniksky' by John Neill after Joseph Kreutzinger, various sizes, all unframed (qty).

Salvator Rosa (Italian 1615-1673) - Three soldiers in conversation; Man standing with arm raised pointing towards the left; Two soldiers, one pointing to the left, the other crouching with shield; Man and soldier in conversation, a group of four etchings, each approximately 15cm x 9cm, three within gilt frames, one in a wood and gilt frame (4).