Prints, Maps and Posters

Keith Haring (American 1958-1990) / Andy Warhol (American 1928-1987) - Montreux Jazz Festival poster, 1986, 83m x 58cm, unframed. Note: Warhol and Haring collaborated to produce this poster.

After Andy Warhol (American 1928-1987) - ‘Orange Marilyn': shot on white background, offset lithograph, printed and published by Te Neus in 1998, 79cm x 60cm, unframed.

After Andy Warhol (American 1928-1987) - 'Marilyn Monroe': blue/grey, offset lithograph, printed and published by Te Neus in 1993, 64cm x 65cm, unframed.

After Andy Warhol (American 1928-1987) - 'Chanel No 5': vintage poster 1997, colour lithograph laid on linen backed paper, 72cm x 57cm, unframed.

After Andy Warhol (American 1928-1987) - 'Chanel No 5': blue/green, vintage poster 1997, colour lithograph laid on linen backed paper, 72cm x 57cm, unframed.

Peter Carreras (British 1921-2019) - a collection of approximately forty-five etchings and other printed works, titles including ‘The Green Boys’, ‘3 Men and a Snake’, ‘The Ice Cream Tree’, ‘Antique Cat’, ‘Face on the Train’, ‘Sardines’, ‘Two Pears’, ‘Bull Rout’, ‘St Mary’s Sompting’, ‘Clematis’ and ‘Fighting Cock’, all signed, titled and numbered, various sizes, all unframed (qty).

British Railways (publisher) - 'Sunny Worthing, go by train': railway travel poster, lithograph, published by British Railways (Southern Region), printed by the Baynard Press circa 1961, 101cm x 63cm, within a black frame.

Reginald Montague Lander and Alan Durman - 'Sunny Worthing, the all year round resort': railway travel poster, lithograph, published by British Railways (Southern Region), printed by the Haycock Press Ltd circa 1959, 101cm x 63cm, within a black frame.

Kenneth Bromfield - ‘Sunny Worthing, Sunshine, music, flowers and sport’: railway travel poster, lithograph, published by British Railways (Southern Region), printed by the Leonard Ripley & Co Ltd, 101cm x 63cm, within a black frame.

A group of three ‘Sunny Worthing’ tourism posters, comprising 'On the warm Sussex coast at the foot of the South downs... and come by train'; ‘On the lovely South Coast at the foot of the Sussex Downs’; and ‘The ideal touring centre for beautiful Sussex’, reproduction prints, each 74cm x 50cm, within black frames (3).

Michel Douay - 'Sunny Worthing, Britain's sunshine record town': railway travel poster, lithograph published by Repro Arts, together with ‘Sunny Worthing, on the warm South Coast, a great deal more than just sunshine’; and Rod Carpenter - ‘Worthing, a great deal more than just sunshine and so easy to reach!’, reproduction prints, each 75cm x 50.5cm, within black frames (3).

‘See you in Worthing, Holiday and Touring Centre for Sussex': tourism poster, 20th century lithograph, 75.5cm x 51cm, together with a further poster, ‘Catch a Southdown Excursion Coach from Worthing, Rustington and Steyning', each within a black frame (2).

Pablo Picasso (Spanish 1881-1973) - 'Deux Clowns', lithograph in colours on wove paper, published by Mourlot circa 1954, title and Mourlot stamp verso, 75cm x 54cm, within an ebonized frame.

After Diebold Schilling (c.1436-1486) - Three plates from the Spiezer Chronicle, woodblock prints, later impressions, with hand colouring, each 28.5cm x 22cm, within stained wood frames (3).

After Hans Burgkmair (1475-1531) - The workshop of Konrad Sensenhofer; Emperor Maximilian I of Habsburg consulting with craftsmen at a foundry for the manufacture of cannons; Archduke Maximilian of Austria learning the art of fencing, three woodcut prints, probably 18th century, each approx. 23cm x 20cm, within Hogarth style frames (3).

After Leonhardt Beck (German c.1480-1542) - ‘The Swiss fighting at Slockhamn Heide, 1499', woodcut c.1775, titled verso, 22cm x 19.5cm, within a Hogarth style frame.

After Jacques Callot (1592-1635) - 'Ces courages brutaux dans les hostelries...'; 'Ceux que Mars entretient de ses actes meschans...'; 'Ce n’est pas sans raison que les grands Cappitaines...'; 'Que du pauvre soldat déplorable est la chance...'; 'Ci Metal que Phiton dans ses veines enserre...'; L’Auberge; Le Porte-Etendard, a group of seven etchings, later impressions, the larger five approx. 8.5cm x 18.5cm, all within Hogarth style frames (7).