Prints, Maps and Posters

After C.B. Cipriani - ‘Love and Fortune’: putto and amorino, sanguine stipple engraving by Houston, published by William Allen, 28cm x 20.5cm, within a verre églomisé glass and Hogarth style frame, together with After Sir Joshua Reynolds - ‘Lady Smyth' and her children, sepia stipple engraving; After George Morland - 'Delia in the Country'; 'Delia in Town'; ‘Morning’; and ‘Evening’, variously framed in verre églomisé glass frames (6).

James Gillray (British 1757-1815) - ‘Tiddy-Doll the great French Gingerbread-Baker...’, engraving with hand-colouring, 26cm x 39cm, within a stained wood frame.

H.M. Queen Victoria (1819-1901) - ‘Victoria’: study of a child, the Princess Royal, etching, 1841, p.11cm x 18cm, within a bird's eye maple frame.

After James Lambert - 'A Perspective view of Brighthelmston', engraving by Canot with hand-colouring, 39.5cm x 59.5cm, together with After Brighty - ‘The Chain Pier at Brighton with Characters’, aquatint with hand-colouring, 29cm x 48cm; and Day & Son (printers) - 'View of the Intended Harbour at Brighton, on the Recoil Principle', lithograph with hand-colouring, 31cm x 44cm, all within stained wood frames (3).

After Dickie Doyle (British 1824-1883) - ‘The Whistling Oyster, A Jolly Old Sole, The Dog Fish, John Dory, Ann Chovy, The Mermaid’, lithograph with hand-colouring, 47cm x 46.5cm, within a bird's eye maple frame and gilt slip.

Jean-François Millet (French 1814-1875) - 'La Grande Bergère', etching, p.31.5cm x 23cm, within an oak and gilded frame.

Edward Julius Detmold (British 1883-1957) - Peacocks, etching, signed in pencil lower right, p.32cm x 41cm, within a black frame.

James Abbott McNeill Whistler (American 1834-1903) - Bibi Lalouette, etching with drypoint, 1859, p.22.5cm x 15cm, within an oak frame.

Edgar Chahine (Austrian 1874-1947) - ‘La Promenade’, etching, signed lower left, p.46cm x 66cm, together with ‘Demoiselle au Tennis’, etching by the same hand, signed, p.38cm x 15cm, both within gilt frames (2).

William Lionel Wyllie (British 1851-1931) - St Paul's from the South Bank, etching, signed in pencil lower left, p35cm x 25cm, within a black frame.

After Walter Crane - Illustrations from Shakespeare’s 'The Tempest': Prospero & Ariel; Caliban; Boatswain; Miranda & Ferdinand; Miranda; Prospero, a set of six woodcuts on thin tissue, each 21cm x 16cm, within wood and gilt frames (6).

Beggarstaffs (William Nicholson 1872-1949 & James Ferrier Pryde 1866-1941) - 'Lyceum Don Quixote', colour lithograph, 50cm x 48.5cm, within a white painted frame, together with Edmund Lucchesi (British 1871-1964) - two woodcut prints, one signed in pencil, the larger 35cm x 25cm, within black frames (3).

Allen William Seaby (British 1867-1953) - ‘Osprey’, colour woodcut, signed in pencil lower right, numbered 17/100 lower left, 37cm x 23.5cm, within a gilt frame.

Dorsey Potter Tyson (American 1891-1969) - ‘The Pekin Cart’; ‘Loading Junks’, two, etchings with colour aquatint, both signed lower right, both numbered lower left, one 64/100, the other 41/100, the larger 25cm x 20.5cm, within Chinese style lacquer frames (2).

Dorsey Potter Tyson (American 1891-1969) - ‘The Necklace’; ‘The Peacock Fan’, two, etchings with colour aquatint, both signed lower right, both numbered lower left, one 95/100, the other 50/100, each 29cm x 23cm, within Chinese style lacquer frames (2).

Elyse Ashe Lord (British 1900-1971) - ‘Malo Shan’; Figures with lanterns, two, etchings with colour aquatint, both signed lower right, both numbered lower left, one 91/100, the other 28/75, the larger 33.5cm x 26.5cm, within Chinese style lacquer frames (2).

Elyse Ashe Lord (British 1900-1971) - Sisters; Geisha, two, etchings with colour aquatint, both signed lower right, both numbered lower left, one 15/75, the other 24/75, the larger 30cm x 21.5cm, within Chinese style lacquer frames (2).

William Lee Hankey (British 1869-1952) - ’Confession’ (1918); ‘On the Quay’ (1924): mother and child, two, etchings, both signed in pencil lower centre, the larger p.28cm x 16.5cm, within black frames (2).

Georges Braque (French 1882-1963) - 'Papiers Collés III', lithograph, 35.5cm x 26cm, unframed.