Paintings, Drawings and Prints

Stanley Anderson - The Stone Breaker (What's Life But Full of Care and Doubt with all its Fine Humanities, Hood), engraving with etching on wove paper, signed in pencil, published by Colnaghi 1940, 20cm x 15cm, within an ebonized frame.

Gary Hodges - 'Savannah', 20th century monochrome print, signed and editioned 447/1250 in pencil, sheet size 29.5cm x 67.5cm, together with nine other signed prints by the same hand, 'Baby Ring-tailed Lemur', 'Ring-tailed Lemur', 'Dreamtime', 'Gorgeous', 'The Snow Bear', 'Plea for the Rainforest', 'Stealth', 'Wobbly', and 'Friendship'.

Gary Hodges - 'Little Foxes', 20th century monochrome print, signed and editioned 874/1100 in pencil, sheet size 39cm x 57.5cm, together with nine other signed prints by the same hand, 'Young Caiman', 'Tree Frog', 'Serval', 'Bracken', 'Just the two of us', 'Jackass Penguin Group', 'Queen of Diamonds', 'Gecko', and 'Sleepyhead'.

Gary Hodges - 'Soulmates' (Snow Leopards), 20th century monochrome print, signed and editioned 102/850 in pencil, sheet size 27cm x 97.5cm, together with nine other signed prints by the same hand, 'Togetherness', 'Vanishing', 'Nile Crocodile', 'Angel Eyes', 'Joy', 'Family', 'Arabian Oryx', 'Supreme', and 'The Spirit of Elsa'.

Gary Hodges - 'Angel Eyes', 20th century monochrome print, signed and editioned 594/850 in pencil, sheet size 33cm x 95cm, together with nine other signed prints by the same hand, 'Cheeky Monkey', 'Green Iguana', 'Owl Butterfly', 'Jackass Penguins preening', 'Zebra', 'Cheetah', 'George Adamson with Boy and Christian', 'Swimming Polar Bear', and 'Reticulated Giraffe with Young'.

Gary Hodges - 'Iberian Wolves - Hope for the Future', 20th century monochrome print, signed and editioned 396/850 in pencil, sheet size 59cm x 48cm, together with nine other signed prints by the same hand, 'Greater Kudu', 'Preening Partners', 'Crowning Glory', 'Jackass Penguin', 'Waddle', 'Caracal', 'Family Matters', 'In Dreams', and 'Jaff'.

Gary Hodges - 'Heat and Dust', 20th century monochrome print, signed and editioned 184/850 in pencil, sheet size 55cm x 47.5cm, together with nine other signed prints by the same hand, 'Elegance', 'Black Rhinoceros with Oxpeckers', 'Chimpanzee', 'Mother's Love', 'Balancing Act', 'Cheetah Cub', 'Asian Elephants', 'Freedom', and 'Bengal Tigress and Cub'.

Gary Hodges - 'Black Rhinoceros', 20th century monochrome print, signed and editioned 205/850 in pencil, sheet size 36cm x 67.5cm, together with nine other signed prints by the same hand, 'Lémuriens', 'Jaguar', 'Tender Moment', 'Bengal Tigress and Cub', 'Sitting Pretty', 'Hippo', 'Arctic Slumber', 'Tropical Slumber', and 'Blue Morpho Butterfly'.

Gary Hodges - 'Old Tusker', 20th century monochrome print, signed and editioned 319/850 in pencil, sheet size 61cm x 48.5cm, together with nine other signed prints by the same hand, 'Hippopotamus', 'Reflection', 'Tree Frog', 'Young Serval', 'Polar Bears', 'Masai Giraffe with Oxpecker', 'Lion', 'Jaguar', and 'Innocence'.

Gary Hodges - 'Jaff' (Border Collie), 20th century monochrome print, signed and editioned 365/850 in pencil, sheet size 44cm x 43cm, together with eleven other signed prints by the same hand, 'Humpback Whales', ' Elephants Africains', 'Ostrich', 'Angel Eyes', 'Eye Contact', 'Demure Lemur', 'Bearback', 'Serenity', 'Under the Ice', 'Pride and Joy', and 'High Kickin''.

David Roberts - 'Mosque of Sultan Hassan, Cairo', stone lithograph with hand-colouring, published by F.G. Moon circa 1848, 37cm x 53cm.

Snaffles [Charles Johnson Payne] - 'The Gunner', 'Le 75', and 'Bon Voyage', three early/mid-20th century offset lithographs, each sheet size 44cm x 34.5cm.

Friedrich Kaskeline - Lady in a Fur Trimmed Coat following a Fairy holding a Lamp, cut paper and pochoir silhouette, stamped signature, sheet size 29.5cm x 24cm, together with twenty-three similar silhouettes by Kaskeline, Else Roch and Ropper Mann, and a quantity of 18th and 19th century engravings.

Jacques Burraband - 'Le Grand Toucan du Brésil, No. 7', colour engraving after Perée, 88.5cm x 39cm, together with a hand-coloured lithograph, Toucan on a Branch.

John Stow - 'Walbrook Ward and Dowgate Ward' and 'Billingsgate Ward and Bridge Ward', two engravings with later colour published 1754, each 32.5cm x 19cm, both within gilt frames.

John Bruce - 'Interior of the New Market-Place' (Brighton), engraving with aquatint and later hand-colouring, published circa 1830, 14cm x 24cm, together with an etching with aquatint by Frederick Lewis after Augustus Pugin, 'Gallery, Pavilion Brighton', published circa 1838, 24cm x 31.5cm, and a quantity of other prints of Brighton interest, the majority within frames.

After Marilyn Blaisdell - Sutro Baths, San Francisco, 20th century offset lithograph, 87.5cm x 99cm, within a painted wood frame, together with a related photograph.

Wenceslaus Hollar - 'Ciuitatis Westmonasteriensis pars' (Westminster from the River), 17th century etching with engraving and later hand-colouring on laid paper, 15cm x 28cm, within an ebonized frame frame, together with a 17th century etching by Abraham Bosse after Claude Vignon.

Geoffrey E. Browne - 'Old Lambeth Bridge', early 20th century watercolour, signed recto, titled verso, 24.5cm x 35cm, together with fifteen other framed pictures, including watercolours and prints, the majority of London interest.