Fine Art

After George Morland - The Barn Door, 19th century oil on board, stencil verso, 39cm x 54cm, within a gilt composition frame.

William Lucas - 'A Monk Reading', watercolour, signed and dated 1872 recto, titled verso, 63cm x 45.5cm, within a gilt composition frame with a gothic ornamental thorn frieze.

William Weekes - Rustic Landscape with Donkeys and Geese, 19th century oil on canvas, signed recto, label verso, 43cm x 70.5cm, within a gilt composition frame of wide section.

Benjamin Williams Leader - River Valley Landscape, 19th century oil on canvas, signed recto, label verso, 34cm x 50cm, within a swept gilt composition frame with floral crestings.

Lionel Edwards - Susan Alice Anderson and Thomas William Anderson on Horseback wearing Hunting Dress outside Grace Dieu, Waterford, Ireland, oil on canvas, signed, 88cm x 115.5cm, within a gilt composition frame with applied plaques. Provenance: family descent from Lieutenant-General Paul Anderson to the current vendor. Formerly at Grace Dieu, Waterford. Ref: for related portraits and paintings, see Lots 7, 8, 9, 29 and 31 and further portrait miniatures in our sale of Objects of Virtu on 30th November.

Attributed to Thomas Rowlandson - Figures on Horseback departing or arriving at a Country House, late 18th/early 19th century watercolour with ink, 8cm x 12cm, within a walnut veneered frame.

British School - Half Length Portrait of a Lady wearing a Wide Brimmed Hat and holding Flowers, late 18th/early 19th century oil on canvas, 73.5cm x 61.5cm, within a carved wood frame.

Henry Stacey Marks - White Stork in a Wetland Landscape, 19th century oil on canvas, signed, 96cm x 60.5cm, within a painted wood frame.

Frank Owen Salisbury - Portrait of Barrington Hooper, oil on canvas, signed and dated 1953, 89cm x 69cm, within a carved wood frame. Note: Barrington Cooper was the honorary secretary of the National Federation of Fishmongers. The portrait was presented at the Grand Hotel Scarborough after 21 years of service with the institution.

Charles William Wyllie - Haymaking Scene at West Mersea, Essex, oil on canvas laid onto board, signed and dated 1915, 23cm x 37.5cm, within a gilt composition frame.

Charles William Wyllie - Figures on the Beach at West Mersea, Essex, oil on canvas laid onto board, signed and dated 1915, 23cm x 37.5cm, within a gilt composition frame.

George Fagan Bradshaw - Seabirds on a Rocky Coast, 20th century oil on board, signed, 29.5cm x 39.5cm, within a gilt composition frame.

Donald McGill - 'I can't swim, but I'm not afraid, I've got a floating Kidney', 20th century gouache on card, signed recto, titled verso, 28cm x 17.5cm.

Donald McGill - 'Of course I remember our wedding day, there wasn't a happier man in England than your father!', 20th century gouache on card, signed recto, titled verso, 19cm x 26.5cm.

Donald McGill - MacNab's Old Scots Whisky, 20th century gouache on card, signed recto, inscribed verso, 23.5cm x 18cm.

Donald McGill - 'If you're feeling down in the mouth, remember Jonah, he came out all right!', 20th century gouache on card, signed recto, titled verso, 28.5cm x 18.5cm.

Donald McGill - 'The trouble is I never get a proposal now, that hasn't got a hiccup in it!', 20th century gouache on card, signed recto, titled verso, 27cm x 19cm.

Donald McGill - 'There's twenty-seven pubs in this town and I ain't been in one of 'em! Fancy now! Which one is that?', 20th century gouache on card, signed recto, titled verso, 29cm x 18.5cm.

Donald McGill - 'I wish auntie would write plainer; it looks as though uncle had got drunk and shot himself!', 20th century gouache on card, signed recto, titled verso, 27cm x 19cm.