Prints, Maps and Posters

William Faden - Map of Upper Canada, engraving with hand-colouring, sectionalized into 32 and linen-backed, overall size 85.5cm x 116cm, within original card slip case.

William Kip - 'Somersettensis': map of Somerset, engraving with hand-colouring, p.28cm x 39cm, within a stained wood frame, together with a further map of Kent by Thomas Kitchin, within a Hogarth stye frame (2).

Cross’s Pocket Plan of London and Improved Guide, engraved map with hand-colouring, sectionalized into 21 and linen-backed, overall size 47cm x 73.5cm, within a green oilcloth slip case.

William Faden (publisher), l’Abbé Diquemare - 'A Chart of the British Channel and the Bay of Biscay...', engraved map, published 1778, 53cm x 71cm, within an oak frame.

Yeakell & Gardner - Map of Brighthelmston, engraving with hand-colouring, 35cm x 30cm, within a bird's eye maple frame, together with a further hand-coloured map of Bishopsgate Street Ward after John Stow, within an aluminium frame (2).

Johann Baptist Homann - 'Europa', engraved map with hand-colouring, 1743, 49.5cm x 57.5cm, within an oak frame. Provenance: from the private collection of the West Sussex art dealer, collector and specialist in 20th century British Art, the late Ian McVitie Weston.

Willem Blaeu - Caernarvonshire and Anglesey, engraved map with hand-colouring, p.38.5cm x 50.5cm, within a stained wood frame. Provenance: from the private collection of the West Sussex art dealer, collector and specialist in 20th century British Art, the late Ian McVitie Weston.

John Ogilby - 'The Road from London to the Lands End', four engravings with hand-colouring, each 35cm x 48cm, within Hogarth style frames (4). Provenance: from the private collection of the West Sussex art dealer, collector and specialist in 20th century British Art, the late Ian McVitie Weston.

A. Bell - 'Geography. Map of the World'; 'Geography. A Map of the World in three Sections', two engraved maps, framed as one, 50.5cm x 43cm, with a Hogarth style frame. Provenance: from the private collection of the West Sussex art dealer, collector and specialist in 20th century British Art, the late Ian McVitie Weston.

After Heywood Hardy - ‘The Pick of the Pack’; ‘In Reserve’, a pair of engravings by J.B. Pratt (restrikes), each p.61cm x 70cm, within black frames (2).

A group of three etchings, comprising After Anthonie Waterloo - Man wearing a cloak and his dog, walking past buildings, p.11cm x 15cm; After Karel Dujardin - Landscape with donkey and two sheep, p.16.5cm x 22cm; Dutch School - The Battle of Schevelingen, p.18cm x 26.5cm, all unframed (3).

After Rembrandt van Rijn - Man making water; Woman making water, two etchings, probably late 18th century, framed as one, the larger 8cm x 6cm, within a walnut veneer frame.

After Claude Gellée (Claude Lorrain) - Study with Brigands (lower section), etching, 4cm x 7cm, within a white painted frame, together with a further work after Claude Gellée, The Tempest, etching, 12cm x 17cm, within a black frame (2).

After Giovanni Battista Piranesi - ‘Avanzi della Villa di Mecenate a Tivoli’, etching, 50.5cm x 69cm, unframed.

A quantity of assorted prints, engravings and stipple engravings, including works after Angelica Kauffman, Francesco Bartolozzi, Thomas Gainsboough and C. R. Ryley, a pastel portrait of a gentleman and others, various sizes, all framed, mostly in decorative oval gilt composition frames (qty).

A small group of 18th and 19th century prints and engravings, mostly portrait and figural subjects, including works after Lawrence, Ellys and Hogarth, various sizes, most unframed.

After James Pollard - ‘G. Osbaldeston Esqr Extraordinary Match of 200 Miles against Time’, aquatint with hand-colouring, 36cm x 48.5cm, within an oak frame.

The Arundel Society (publisher) - The Dombild Altarpiece (Adoration of the Magi) after Stefan Lochner, five chromolithograph prints, overall size 45cm x 167cm, within a five-fold screen frame of gilded oak.

William Lionel Wyllie (British 1851-1931) - Bird's eye view of the Thames and the Palace of Westminster, etching, signed in pencil lower left, p.17cm x 42cm, within a black frame.