Prints, Maps and Posters

John Brunsdon (1933-2014) - 'Entrance to Sedona', colour etching with aquatint, signed lower right, titled lower left, inscribed and numbered 'Artist Proof 14/15' lower centre, p.45cm x 60cm, within an oak frame. Provenance: from the private collection of the West Sussex art dealer, collector and specialist in 20th century British Art, the late Ian McVitie Weston.

John Brunsdon (1933-2014) - 'St Michaels Mount', colour etching with aquatint, signed lower right, titled lower left, inscribed and numbered 'Artist Proof 2/5' lower centre, 22.5cm x 29cm, together with two further prints by John Spencer, all within plain wood frames (3). Provenance: from the private collection of the West Sussex art dealer, collector and specialist in 20th century British Art, the late Ian McVitie Weston.

Glynn Thomas (British b 1946) - 'Welsh Valley'; 'Ellingham Mill', two colour etchings, both signed lower right, titled lower centre and numbered 3/50 and 2/50 respectively lower left, each 66cm x 48cm, both within silver metal frames (2). Provenance: from the private collection of the West Sussex art dealer, collector and specialist in 20th century British Art, the late Ian McVitie Weston.

Glynn Thomas (British b 1946) - 'Trinity'; 'Cambridge', two colour etchings, both signed lower right, titled lower centre and numbered lower left, the larger p.36cm x 27.5cm, within stained wood frames, together with 'Ponte Vecchio'; 'Venetian Reflections', two colour etchings, both within stained wood frames (4). Provenance: from the private collection of the West Sussex art dealer, collector and specialist in 20th century British Art, the late Ian McVitie Weston.

Glynn Thomas (British b 1946) - 'Stoke by Nayland'; 'Nayland'; 'Heybridge Basin', three etchings, all signed lower right, titled lower centre and numbered lower left, the largest p.26cm x 40cm, two within stained wood frames, the other within a metal frame (3). Provenance: from the private collection of the West Sussex art dealer, collector and specialist in 20th century British Art, the late Ian McVitie Weston.

Anthony Green (British 1939-2023) - 'The young artist unknowingly going to Heaven’, colour print, signed and dated ’00 lower right, numbered 1/75 lower left, blindstamp lower right, 75cm x 111cm, within a stained wood frame. Provenance: from the private collection of the West Sussex art dealer, collector and specialist in 20th century British Art, the late Ian McVitie Weston.

Gary Wragg (British b.1946) - 'Discarded Talisman', colour screenprint, signed and dated 82 lower right, numbered 37/75 lower left, titled verso, 60.5cm x 85cm, within a silver metal frame. Provenance: from the private collection of the West Sussex art dealer, collector and specialist in 20th century British Art, the late Ian McVitie Weston.

Harvey Daniels (British 1936-2013) - ‘Cut Wood’, colour screenprint, signed lower right, titled lower centre, numbered 14/30 lower left, 152cm x 55cm, within a black frame. Provenance: from the private collection of the West Sussex art dealer, collector and specialist in 20th century British Art, the late Ian McVitie Weston.

Philip Jackson (Scottish b.1944) - 'Study for St Richard', lithograph, signed lower right, titled lower centre, numbered 10/50 lower left, 48cm x 68cm, within a gilt frame.

Valerie Thornton (British 1931-1991) - ‘Esco’, colour etching, signed and dated ’82 lower right, titled lower centre, numbered 33/50 lower left, p.25.5cm x 36.5cm, within a gilt frame. Provenance: from the private collection of the West Sussex art dealer, collector and specialist in 20th century British Art, the late Ian McVitie Weston.

Jacob Kainen (American 1909-2001) - 'Kingmaker', colour screenprint, signed and dated ’73 lower right, titled lower left, numbered 6/50 lower centre, 67cm x 51cm, within a wood frame. Provenance: from the private collection of the West Sussex art dealer, collector and specialist in 20th century British Art, the late Ian McVitie Weston.

John Tobin (British b.1924) - ‘Heterogeneous I’, colour screenprint, signed and dated ’67 lower right, titled and numbered 1/50 lower left, 78cm x 59.5cm, within a silvered frame. Provenance: from the private collection of the West Sussex art dealer, collector and specialist in 20th century British Art, the late Ian McVitie Weston.

Francis Howard Spear (British 1902-1979) - ‘The Wily Odysseus’, colour linocut, signed and dated 1967 lower right, titled lower left, p.76cm x 48.5cm, within a black frame. Provenance: from the private collection of the West Sussex art dealer, collector and specialist in 20th century British Art, the late Ian McVitie Weston.

Roy Fairchild-Woodard (British b.1953) - ‘Longing II’, serigraph in colours, signed in pencil lower right, numbered 304/388 lower left, p.101cm x 73.5cm, within a gilt composition frame.

Patrick Hughes (British b.1939) - ‘Weather Cock’, colour screenprint, signed and dated ’79 lower right, titled lower centre, numbered 28/100 lower left, p.57.5cm x 39.5cm, within a gold metal frame.

After Henri de Toulouse Lautrec - 'Ambassadeurs. Aristide Bruant dans son cabaret', Athena edition reproduction poster, 90cm x 60cm, within a gilt frame.

After Pablo Picasso - 'Museo Picasso Málaga' exhibition poster, 2004, 47.5cm x 32cm, within a black frame, together with two further posters/prints, ‘Picasso, The Pigeons, Cannes 1957’ and ‘Ken Done, The Art Directors Gallery, Sydney’, all in coloured frames (3).

Bill Jacklin (British b.1943) - ‘Urban Portraits New York’ exhibition poster, 60cm x 90cm, together with two other Bill Jacklin exhibition posters, variously framed (3).

After Fernand Botero - ‘Botero, La corrida’ exhibition poster, 79cm x 59cm, together with three further Botero exhibition posters, all framed, three within black frames (4).