Prints, Maps and Posters

After Leonard Knuff - 'The Castle of Bolsover in Darbyshire', engraving by William Kip with hand-colouring, 35cm x 49cm, within a stained wood frame.

After Pietro Ferrerio - Architectural plans: facades of Italian villas, four engravings, various sizes, all unframed (4).

After David Roberts - The Destruction of Jerusalem by Titus A.D. 70, lithograph with hand-colouring, printed by Day & Son, image 69cm x 107cm, within a swept gilt composition frame (faults).

After Benjamin West - The Battle of La Hogue, engraving by William Woollett, 43cm x 59cm, within a Hogarth style frame.

English School (18th century) - 'The Cathedral Church of the Holy Trinity in Chichester'; 'The Cathedral Church of Chester'; 'The Cathedral Church of Bristol'; 'The South Prospect of the Cathedral Church of St Mary, Lincoln', a set of four engravings with hand-colouring, each 46cm x 58cm, variously framed (4).

Jean Claude Richard - 'Voyage Pittoresque de Naples et de Sicile', part III, a part-volume of text and engravings, missing front cover and various leaves, 50.5cm x 33cm (volume).

After James Pollard - 'Tom Moody, The Whipper in', a set of four aquatints by George Hunt, with hand-colouring, each 44cm x 58cm, within Hogarth style frames (4).

After Dean Wolstenholme - 'The Surrey Hunt 1824', a set of four aquatints with hand-colouring, 24cm x 33cm, within gilt frames.

After Thomas Frye - Portrait of King George III; Portrait of Queen Charlotte of Mecklenburg-Strelitz, a pair of mezzotints, circular, each diameter 19cm, within gilt frames, together with a mezzotint by R. Field after George Romney of Charles, Portrait of Charles, Duke of Richmond, within a swept gilt composition frame (3).

George Baxter (British 1804-1867) - A group of prints, including ‘Austria Court in The Great Exhibition of 1851’; ‘The Hop Garden’; ‘The Cornfield’; ‘Charge of the British Troops on the road to Windlesham’; ‘Review of the British Fleet &c Portsmouth’, together with thirteen needlebox prints framed as twelve, the largest 12cm x 23cm, variously framed.

Pierre Auguste Renoir (French 1841-1919) - Baigneuse debout à mi-jambes: standing bather, etching c.1910, p.16cm x 11cm, within a gilt frame. Provenance: from the personal collection of the ceramic artist, the late Eric James Mellon (1925-2014).

Vanity Fair (publisher) - A group of female subjects: 'The Marchioness of Waterford'; 'The Countess of Dalhousie'; 'Gladys, Countess of Lonsdale'; 'H.I.M. the Empress of Austria'; 'Her Grace the Duchess Dowager of Cleveland'; 'The Marchioness of Tweeddale'; 'H.R.H. the Princess of Wales'; 'Sarah Bernhardt'; 'Her Majesty Queen Alexandra'; ‘Women’s Suffrage’; 'Victoria Mary of Teck'; 'The Lady Florence Dixie', a group of twelve colour lithographic prints, each approx 32cm x 22.5cm, within light wood frames, together with a 'Vanity Fair Album' of further prints of ladies, including 'The Baroness Burdett-Coutts', 'The Lady Holland'; 'Mrs Weldon' and others (12 + qty).

Vanity Fair (publisher) - A folder containing a group of cricketing subjects by ‘Spy’, ‘Ape’ and others, including 'Bobby'; 'I Zingari'; 'Charlie'; 'Australian Cricket'; 'An Artful Bowler'; 'The Champion County'; 'Cricketing Christianity'; 'Cricket'; 'Kent'; 'Yorkshire Cricket'; 'Tom'; 'Yorkshire'; 'A Tested Centurion'; 'Monkey'; 'A Flannelled Fighter'; 'The Lobster'; 'The Croucher'; 'English Cricket'; 'Repton, Oxford & Somerset'; and others, each approx 38cm x 26cm, all unframed, together with two further volumes, ‘The Empire’s Cricketers’ and ‘Famous Cricketers’ (qty).

Vanity Fair (publisher) - A folder containing a group of jockey subjects by ‘Spy’, ‘Lib’ and others, including 'the favourite Jockey'; 'The Demon'; 'The Baby'; 'Tom Cannon'; 'Charlie Wood'; 'Johnny Watts'; 'George Barrett'; 'Johnny'; 'Mr Abington'; 'Fred Barrett'; 'Fred Webb', 'James Woodburn'; 'Tom Loates'; 'Morny'; 'Roddy' and others, each approx 39cm x 26cm, all unframed (qty).

Vanity Fair (publisher) - A folder containing a group of rowing/rower subjects by ‘Spy’, ‘Ape’, ‘Hay’ and others, including 'Pembroke'; 'Wingfield Sculls'; 'H. Searle'; 'One of the Presidents'; 'Flea'; 'Benjie'; 'Fogg'; 'Rudy'; 'O.U.B.C'; 'C.U.B.C.; 'Ducker'; 'Tarka' and others, each approx 39cm x 26cm, all unframed (qty).

Vanity Fair (publisher) – A folder containing a group of golfers and equestrian subjects by ‘Spy’, ‘Lib’, 'Percy Earl' and others, including 'My Horace Hutchinson'; 'Mr John Ball Junior'; 'Muir'; 'Hoylake'; 'John Henry'; 'North Berwick'; 'Jimmy'; 'The Prince of Princes'; 'Easton Hall, Minoru'; 'Bayardo'; 'Cyllene'; 'Dean Swift' and others, each approx 39cm x 26cm, all unframed (qty).

Vanity Fair (publisher) – A folder containing a group of illustrations from ‘The World’ and 'Vanity Fair', including 'The Right Hon D. Lloyd George'; 'Marquis of Lansdowne'; 'Earl Roberts'; 'H.B. Irving'; 'W. Selby Lowndes junr'; 'The Earl of Cromer' and many others, various sizes, all unframed, together with other sundry prints (qty).

Pierre Bonnard (French 1867-1947) - ‘Dingo’, etching from the series of 14, signed lower centre, p.30.5cm x 22.5cm, within a fluted stained wood frame. Provenance: from the personal collection of the ceramic artist, the late Eric James Mellon (1925-2014).

Hilda E Bonsey (20th century) - The Peter Pan Statue in Kensington Gardens, etching, signed in pencil lower left, numbered 48/300 lower right, p.28cm x 18.5cm, within a gold painted frame.