Prints, Maps and Posters

'Pietro Psaier' (purportedly Italian 1936-2004) - Coca Cola three bottles, serigraph, signed lower right, 37cm x 29cm, within a plain wood frame.

Frank Auerbach (German 1931-2024) - Reclining Figure I (1966), colour screenprint, signed lower right, numbered 40/70 lower left, 89cm x 101cm, within a black frame.

Terence Cuneo (British 1907-1996) - Ponies in the Lines, colour photolithograph, signed lower right, numbered 208/350 lower left, 47cm x 74cm, within a gilt frame.

Peter Carreras (British 1921-2019) - a collection of ten etchings and other prints, including ‘Antique Cat’; ‘Somewhere’; ‘Rabbit Skull’; ‘Bone’; ’Danns across the sands, Sunrise’; ‘Wave Embryo’; ‘Rhythm and Blues’; ‘The Old Boat’; ’The Dome, Worthing’; ‘St Mary’s Sompting’, all signed, titled and numbered, various sizes, all unframed.

Peter Carreras (British 1921-2019) - a collection of seven etchings and other prints, including ‘St Mary’s Sompting’; ’Danns across the sands, Sunrise’; ‘Wave Embryo’; ‘Portuguese Vase’; ‘Memento Mori’; ‘In the Wings’; ‘Portuguese Vase’, all signed, titled and numbered, various sizes, all unframed.

Richard Shirley Smith (British b.1935) - Erasmus, engraved image and text, signed in pencil and numbered, ‘keepsake’ published by the Libanus Press, 30cm x 21.5cm, within original envelope, and another identical copy, unframed (2). Provenance: from the personal collection of the ceramic artist, the late Eric James Mellon (1925-2014).

Bernard Dunstan (British 1920-2017) - Female nude in an interior, colour lithograph, signed lower right, numbered 50/195 lower left, with certificate of authenticity verso, p.35cm x 34.5cm, within a wood frame. Provenance: from the personal collection of the ceramic artist, the late Eric James Mellon (1925-2014).

Marcus Stevens (20th century) - ‘Scorcher, Maslins!’; ‘Drawing you, Drawing Me’; ‘Cool Legs’, three screenprints, signed, titled and variously numbered, the largest p.49.5cm x 32cm, in silvered frames (3).

Evgeny Lushpin (20th/21st century) - ‘Golden Moment’: A Venetian Backwater, giclee print, numbered 36/40 lower left, 60cm x 87cm, within a silvered frame.

Jeffrey Edwards (British b.1945) - ‘Plagiarism’, colour screenprint, signed lower right, titled lower centre, numbered 43/300 lower left, image 33cm x 44cm, within an aluminium frame.

Maggie Burley (British 20th/21st century) - Bank Holiday, colour etching, signed lower left, titled lower centre, numbered 14/60 lower right, p22cm x 25cm, together with another by the same hand, ‘Villa Carmen’, both in metal frames (2).

Philip Jackson (British b.1944) - Study for the Sculpture of Sissi - Geneva, lithograph, signed lower right, numbered 21/75 lower left, titled lower centre, 92cm x 51cm, within a stained wood frame.

Eric James Mellon (British 1925-2014) - ‘"Slack Wire Walker", Theme of the 'Circus’', monotype, 34cm x 22cm, within a green painted frame. Provenance: from the personal collection of the ceramic artist, the late Eric James Mellon (1925-2014)."

Annie Soudain (20th/21st century) - Jay, colour woodcut, signed lower right, inscribed lower left, 30cm x 20cm, within a white frame.

Thomas Hafstrom (b.1954) - Madonna, colour screenprint, signed and numbered 12/25 lower right, 54cm x 50cm, within a silvered frame.

Thelma K. Sykes (20th/21st century) - Harrier at Melvich, Sutherland, colour linocut, signed lower right, titled lower centre, numbered 1/20 lower left, p21cm x 19cm, Exhibited: Society of Wildlife Artists, The Mall Galleries 2000, together with an etching by Kathleen Caddick, ‘Across the Park’, and another by Laurie Rudling, ‘Hound Tor’, all within oak frames (3).

Ros Harvey (British b.1938) - Cattle Market, etching with aquatint, signed lower right, inscribed A/P love to Eric and titled beneath image, p14.5cm x 23.5cm, together with five further works by the same hand, including Legs Chapel; Donegal Potato Pickers, and a watercolour ‘Black-Red Modern Game’, all signed, titled and dedicated to Eric Mellon, variously framed (6). Provenance: from the personal collection of the ceramic artist, the late Eric James Mellon (1925-2014).

Elizabeth Mary Spiro (British b. 1942) - ‘Amalfi’, colour etching with aquatint, signed lower right, numbered 1/20 lower left, titled lower centre, p.26cm x 18.5cm, within an oak frame, together with a further etching by the same hand, Seated nude with cat, unframed (2). Provenance: from the personal collection of the ceramic artist, the late Eric James Mellon (1925-2014).

The Tarriff Reform League (Publisher) - ‘Unfair Competition, lithographic poster, printed by Hill, Siffken & Co, 51cm x 75cm, together with After John Pimlott - ‘Buy National Savings Certificates’, poster, 75cm x 50.5cm, both unframed (2).