British and Continental Ceramics

A small group of Grazia Deruta maiolica plates, 20th century, painted in yellow lustre with a foliate pattern, comprising two 28cm diameter and twelve 20.8cm diameter, painted marks to bases (some faults and repairs), together with an English porcelain part tea service, early 19th century, probably Spode, gilt with a band of simplified foliage, comprising nine teacups and saucers, three saucer dishes, slop bowl, jug and two-handled sucrier and cover, two French porcelain gilt and white teacups and saucers and an English porcelain gilt and white cream jug, probably Chamberlains, height 10cm (some faults and repairs).

A Coalport porcelain part service, late 19th century, painted with flowers within gilt scroll frames against a pale grey ground heightened with a wavy band of iron red weed, comprising seven teacups, six coffee cups, twelve saucers, twelve tea plates, slop bowl and four square plates, pattern No. 3/537, together with a mixed group of other teawares, including five Cauldon gilt and white coffee cups and saucers and a Ridgway foliate moulded part tea service decorated in gilt and white, pattern No. 5/2259, comprising nine teacups, six coffee cups, eleven saucers and a slop bowl (some faults and repairs).

Ten Royal Doulton limited edition royal subject figures, each modelled by Pauline Parsons, comprising King Henry VIII, HN3458, No.458, Anne Boleyn, HN3232, No.1428, Catherine Parr, HN3450, No. 636, Jane Seymour, HN3349, No. 899, Catherine Howard, HN3449, No. 496, Anne of Cleves, HN3356, No. 456, and Catherine of Aragon, HN3233, No. 2875, each from an edition of 9500, Lady Jane Grey, HN3680, No. 1030 from an edition of 5000, Princess Elizabeth, HN3682, No.248 from an edition of 5000, and King Henry VIII, HN3350, No. 496 from an edition of 1991, each with certificate.

A limited edition set of Royal Doulton Disney's Snow White and the Seven Dwarfs, comprising Snow White, Happy, Bashful, Sneezy, Doc, Grumpy, Dopey and Sleepy, each No. 201 from an edition of 2000, with certificate and eight boxes.

A large two-handled stoneware oil jar, probably French, of ovoid shape with loop handles to the shoulders, partially glazed, unmarked, height 47cm, together with a faience pottery charger, probably French, sponged with stylized blue flowers against a cream ground, unmarked, diameter 40cm, and a small German pottery brown glazed bowl slip decorated with a deer, diameter 20.5cm. Provenance: property of a private Sussex collector.

Ten Royal Doulton Disney Winnie The Pooh 70 Years Collection figures, including Winnie The Pooh In The Armchair, Eeyore's Tail, Tigger Signs The Rissolution, Winne The Pooh and The Honeypot and Christoper Robin, each boxed, together with a Beswick limited edition Beatrix Potter figure group Peter and Benjamin Picking up Onions, No. 1624 from an edition of 3000, boxed with certificate, Gulliver by Lilliput Lane, two Lilliput Lane advertising pieces, a Goebel advertising plaque for the Millennium, boxed, a Lladro plaque and another distributed by Royal Orleans inscribed 'The Pink Panther'.

A pair of Burmantofts Faience candlesticks, late 19th century, of Ionic column shape raised on spreading circular bases, covered in a turquoise glaze, impressed and incised marks to bases with shape No. 1254, heights 24cm and 25cm high.

Three Royal Crown Derby Chelsea Bird models, dated 1991 and 1996, each porcelain model with gilt metal legs perched on a branch above a floral encrusted base, comprising a pair, signed Jacky Plant and M.E. Reynolds to base, height 18cm, a single bird with head turned to the right, signed Jacky Plant and M.E. Reynolds to base, and a single bird with head turned to the left, signed J. Bryan and J. Plant to base.

A Meissen figure group The Good Father, late 19th century, after the model by J.C. Schönheit of 1785, the father wearing a floral patterned coat seated on a sofa, a toddler standing on his knee, his daughter balancing on his raised foot and a small boy climbing onto his other foot, a dog seated beside them, raised on a naturalistic oval base with raised gilt pattern to the outer edge, underglaze blue crossed swords mark to base with incised model number E.69, impressed 40 and red painted 10, height 20.5cm (minor faults). Note: the incised model number to the base of the figure is normally associated with the pair to this group The Good Mother, normally The Good Father is model No. H.98.

Three pieces of Moorcroft Pottery decorated in the Pomegranate pattern, circa 1916 and later, comprising a biscuit barrel with plated rim, overhead handle and plated cover, height to top of handle 22cm, a vase of baluster shape, height 17.5cm, and a silver mounted ashtray, hallmarked Sheffield 1922, diameter 10cm, various impressed and painted marks to bases (faults).

A limited edition set of fourteen Wedgwood Jasper portrait medallions, dated 1973, produced in association with the National Portrait Gallery, each number 83 from an edition of 200, the differing sized medallions of oval shape in pale blue Jasperware with white frame and portrait, comprising Milton, Princess Amalia of Orange, Prince Frederick Henry of Orange, Mary I, Cardinal Mazarin, Bonnie Prince Charlie, Lord Byron, Inigo Jones, Prince Eugene, Chaucer, Queen Victoria, Captain Hamilton, Napoleon and Michelangelo, held within three velvet lined trays in a fitted and inscribed case (lacking certificate and booklet).

A Wedgwood pale blue Jasperware two-handled vase and cover, late 20th century, the ovoid body sprigged in white with opposing oval frames enclosing figures representing the arts within a floral garland beneath a band of fruiting ivy, raised on a spreading circular foot and square base, the shoulders with loop handles, the cover with acorn shaped knop, impressed marks to base, height 30cm.

A W. Schiller (& Sohn) Bodenbach majolica centrepiece, late 19th century, the shell shaped dish top with turquoise glaze and an open mouthed animal to one end, raised on a stem formed from brown glazed foliate scrolls emerging from the body of a griffin surmounted on further foliate scrolls and a green/blue glazed oval base, applied pad mark to base and impressed shape No. 4961, height 39cm (some faults and repairs).

Six Herend porcelain animals with scale or fishnet patterns, comprising two turkeys, both 12cm high, a pair of conjoined rabbits, 14cm high, and a rabbit with one raised ear, 10cm high, in blue colourway, and a pair of conjoined rabbits, 14cm high, and an owl perched on a branch, 13cm high, in green colourway, various printed, painted and impressed marks to bases.

An A.J. Wilkinson limited edition Toby jug depicting Field Marshall Kitchener, 1st Earl Kitchener, circa 1918, designed by Sir Francis Carruthers Gould and sold by Soane & Smith, 462 Oxford St., London, modelled seated in full military dress with gilt highlights, a jug on his lap inscribed 'Bitter for the Kaiser', raised on a canted corner base glazed in red, white and blue, black printed marks to base with facsimile signature, height 25cm, with accompanying certificate titled 'The Kitchener Jug' detailing only 250 examples were made.

Two Minton porcelain plates decorated in Sèvres style, dated 1868 and 1869, the first painted to the centre with a quiver of arrows and a bow entwined with flowers, the second with musical instruments similarly entwined with flowers, the rims with a turquoise or eau de nil glazed band overlaid with gilt foliate scrollwork and reserved with maroon ground panels of cherubs and trophies of love, within gilt and pink rosebud bands, impressed marks to bases, diameter 24.5cm, together with three English porcelain dessert plates painted with landscape views within tooled gilt rims, red painted pattern No. B4385 to bases, diameter 23cm.

A pair of Berlin porcelain potpourri vases and covers, late 19th century, of squat baluster shape, painted with opposing romantic couples flanked by mask head handles joined by pink fabric swags, the pierced shoulders outlined in gilding, the domed covers with floral finials, underglaze blue sceptre mark to bases, height 14.5cm, together with a pair of puce ground potpourri vases and covers, painted with opposing classical figure panels framed with gilt scrollwork beneath pierced shoulders, the domed covers similarly pierced and with fruit finials, underglaze blue mark to bases, height 23cm (minor faults and restoration).

A pair of Royal Worcester vases and pierced covers, circa 1970, painted by Leaman, signed, with still life studies of fruit within relief gilt framing, the covers with gilt pointed knops, black printed and painted marks to bases with shape No. 169, height 19cm.

A large Royal Worcester potpourri vase, liner and cover, 1970s, painted in the round with a still life study of fruit by M. Morris, signed, between raised gilt borders, the pierced cover of crown shape, black printed and painted marks to base with shape No. 2048, height 33cm (minor faults).